"Not that": An Observation of 'Contemporary Worship'

The more and more people that I speak with that are at least remotely involved with church life, the more questions come up about my opinion and experience with 'contemporary worship.'   They like to pick my brain, ask my preference, and get a sense for how I feel like worship in the church ought to be.  Yes, they often have their own preconceived responses and notions regarding the style of music used within the Church. The questions range. "What do you think young people are into?" "Don't you think 'traditional' worship is a turn off for young people?" "Don't you think contemporary worship is too hoaky these days?" "Is it possible to plant a church that only uses traditional worship?" "Does Chris Tomlin every write any good songs?" "Don't you think hymns are just boring?" "What's the purpose of the flashy lights? To try to be something we aren't?" "Aren't choirs outdated?"

Contemporary worship, though, is the newcomer in this game.  In many ways, it has to prove itself.  Somewhere around 50 years ago or so, the Beatles invaded America, forever changing pop music and rock and roll. This, along with the decline of mainline church membership in the United States sparked new ideas.  People left the mainline denominations to be 'non-denominational' in an effort to do church differently.  That was the goal: do church differently.  Maybe then, perhaps, people might think about coming back.  If we just aren't 'that,' maybe they'll be more likely to come back.

In a sense, then, Contemporary Worship (with a common low-key liturgy and more culturally-relevant music) became "Not That" worship.  See that stuff the Methodists are doing?  We aren't that.  We're cool.  We're hip.  We're reaching out to young people.  We are meeting you where you are.  You can wear jeans to our church.  That's the way we are.

This type of church is the church that I was born into.  We still were a part of the big Baptist church downtown, but we were open to those who had never been to church before.  We didn't have cryptic creeds.  We didn't have strange liturgy.  We watched movie clips and played slide shows.  We had drama. Our pastor preached from behind a music stand rather than a pulpit.  I was born into a church that was trying to make church relevant to a society that it wasn't relevant to.  What we did, in the early 90's, was to be "not that."  For peope too intimidated or scared to attend traditional worship, we were "not that."  We called ourselves the "Seeker Service" so that those who were 'seeking' could find a place to feel at home.  Too intimidated by the choir robes and organ?  We aren't that.

So, if this is true, and it was truly meeting a need, why aren't all churches like that now?  Why are there young adults begging to go back to the traditional services? Why are large portions of people leaving NOT ONLY the mainline denominations, but also the nondenominational churches?  If being 'not that' was supposed to save the church, why are we drowning more than ever before?

I'll tell you why.  We stopped.

It isn't 1995 anymore. What was hip and cool then is not hip and cool now. What drew people in because it wasn't 'that' then, pushes people away now.  'Contemporary' has become a way of saying 'not that' and it has done so in a permanent sense.  This is why so many 'contemporary' services feel hoaky.  This is why many young people want to return to traditional worship.  This is why when you hear about contemporary worship, you ask yourself if it is emergent or 'contemporary.'   Oddly, those leading the traditional services never went out of their way to reach the young people and different generations; it's very much a "take it or leave it" situation.  Some choose, for many reasons, to take it. Many, sadly, are choosing to leave it.

'Contemporary' was great when it needed to be. But it is stuck now.  Sure, churches like Hillsong and movements like Passion are successful, but by and large 'contemporary' music in many (especially mainline) churches is simply stuck.

'Contemporary' has to move forward. 'Contemporary' has to continue to be what it's high and lofty goal was (an environment that allows those on the outside access to the inside) instead of what its not-so-just goal was ('not that').  It has to be as innovative as it once saw itself being.  It has to live into its title.

In order for us to justify our worship style, no matter how it exists, we need to be able to articulate it in a way that explands the Kingdom.  Otherwise, it has little reason for being. This is true for traditional worship.  This is true for 'contemporary' worship.  Our worship should be creative.  Our worship should be innovative.  Our worship should remind of of who we are.  Our worship should define who we are.  Our worship should convey to those within it that the Church is thriving, moving, changing, and growing disciples. Our worship should be, of course, worship...reflecting the God who breathes life to the people.

We cant have 'not that' from either side.  We need quality, strong, theologically sound worship in both environments (and perhaps more to come).  That's when it finally becomes quality worship and we can **finally** get out of the way.

-B

"Passion"ate Music in The Church

I've been enjoying my time off thus far. I've watched television, listened to music, and made Allie breakfast this morning. Good start to the break, This morning I started watching some of the videos from my Digital All Access Pass that I bought from Passion 2011. In the middle of the second one, I started having some thoughts about what was actually occurring. I was watching a worship session, watching others worship to new music that they had just learned. It seemed strange, possibly for one of the first times, that I was watching others worship God. A little weird right? Many readers might take this opportunity to move to the next logical step. The step might be that this is entertainment instead of worship and it's just wrong by principle(and hence why I am watching it and feeling strange) but hear me clearly: they are wrong, uninformed, and overly critical.

I immediately jumped to the conclusion that I was in a place where their feelings made sense. But something felt odd to me still, so I went to YouTube. You know what I found? A whole bunch of videos, posted online, of people worshipping in traditional settings. To traditional hymns. To an organ, sometimes a choir, and whole bunch of awful sounding tones. I mean, really, a lot of it was bad. Very bad.

So I thought, if the contemporary music model is so "wrong" because it allows itself very easily to be recorded and placed in a position where someone might watch it later for, perhaps, entertainment value, why in the world are these churches recording these hymns? There is almost nothing about it that is pleasing to the ear. The camera angles are such that you can rarely see anything of consequence. Why put this on YouTube?

As I struggled with this question, I considered different things: maybe they're trying to advertise their church. Maybe they're trying to pay homage to the old hymns. Maybe they just discovered that you can put things on YouTube and so they decided to try it. Any of these could be right.

But one significant difference stuck out: energy. The Passion videos had energy. I could feel it sitting here on the couch. The traditional videos didn't.

When I lead others in worship, and I tend to do a lot of that, I can tell by the middle of the first song whether or not the energy of the room is anything that can be worked with. I very much believe that though the Spirit is always present, sometimes it manifests itself in ways that are easier seen than other times.

As I sit in Goodson Chapel for worship during the day at Duke, sometimes I feel it, and sometimes I don't.

Over the past four years or so I have tried to experiment in ways that will make my methods of leading more effective. The ways I interact with the musicians, the way transitions are planned, the way the text of songs interacts with other parts of the service, all of this matters.

And I think that is where the contemporary music movement has hit a nail on the head. They discovered a way to be effective. Many of the songs are still used in appropriate times in worship. Many of the songs resemble good musicianship in the layout, form, and overall direction. And because they used a style of music that allows people to really move to and feel within themselves, they reached an inner part of the body and spirit that truly sings. Good music, no matter what the style, does this...but simplistic forms tend to resonate with our inner souls more.

There is a reason that slave songs sounded the way they did.

There is a reason that today's African American Gospel music borrows many themes and styles from old slave songs.

My argument is that I see the contemporary music movement doing and borrowing the same things. That's why, in the mostly-Caucasian world, it tends to invoke more energy in the room. When you hear a worship leader say, "I felt like they were really getting into it." I think this is the principle they are referring to.

Like it or not, in 2011, the traditional services and traditional worship styles of old do not carry the energy. Some may say this can't be true, and I might agree that this is a sad reality, but it is nonetheless a reality. At least I see it like this.

Keeping this in mind, my ultimate question is this: if the Spirit is always present and presumably the Spirit doesn't care what style of music is played, why does it manifest itself inside of this type of music more? How much of that depends on the musicianship of those leading? Do others experience the Spirit in different ways? If yes(most likely), does that manifest itself in ways that speak loudly (and tangibly)?

How do we know?

-B

A Taste of Passion 2011

One of the things that I like about a progressive Church culture is that new music continues to be written for the masses and the Church. When contemporary music began to become mainstream, the world took cues from WillowCreek in Chicago. Then, the work that Darlene Zschech and Reuben Morgan did at Hillsong Church in Austrailia made an impression on the musical world. Around the end of the 90's, artists like Charlie Hall, Chris Tomlin, and David Crowder became more celebrated worship writers through a series of conferences led by the 268 generation (under the direction of Louie Giglio) known as Passion.

Since then, more artists have come forward and more songs have been written for the Passion conferences in hopes that they would allow the Church to worship in new ways. It continues to change the worshipping world. These songs are usually somewhat accessible by a mediocre worship band at a local church or camp. Though other conferences have certainly gained the attention of worship leaders and potential song writers, Passion continues to develop the mainstream and new material comes out of them every year.

I didn't want to post these at first, because there is bound to be some sort of copyright infringement (and surely at some point these will be taken down), but in the world of video cameras on cellphones readily connected to YouTube and music written for the Church at large, this is the way we live. Because I don't know the specifics of those who authored these works, I'll simply list the leadership.

I thought you'd enjoy the aggregation of the songs below. Please, in March, buy the album.

Open the Heavens/All My Fountains - Chris Tomlin Leadership

[youtube=http://www.youtube.com/watch?v=5mzOBgvPixE]

Spirit Fall - Chris Tomlin Leadership

[youtube=http://www.youtube.com/watch?v=GSqpkW2hKDM]

We Are Here for You - Chris Tomlin Leadership (although this sounds like a Matt Redman tune)

[youtube=http://www.youtube.com/watch?v=nXytBVDRdm0]

All To Us - Chris Tomlin (This is actually on his most recent album also)

[youtube=http://www.youtube.com/watch?v=wWaOv91E5N4]

Where You Go We Will Follow - David Crowder Leadership

[youtube=http://www.youtube.com/watch?v=ObsBu2_CtAQ]

Song of Liberty/Set Free - Chris Tomlin Leadership

[youtube=http://www.youtube.com/watch?v=_-l0O1lR_BU]

I Need You - Chris Tomlin Leadership

[youtube=http://www.youtube.com/watch?v=bEoO1cGcBzE]

And...the results from "Do Something Now" as read aloud by Louie

[youtube=http://www.youtube.com/watch?v=oZDRmghpOb8]

 

That's it for now. When I get a kind email from Passion, I'll take them all down.

-B